If it reflects an historical process, then that process would have been as follows: the tone sandhi system of the standard dialect of Middle Chinese was - at the abstract level - similar to that of present day Southern Min vernacular (which is evidently the basis for that of present day Southern Min verse recitation) it preceded the development of the Yi-san Principle and influenced the latter strongly. On the basis of the limited kinds of data involved in this preliminary study, one cannot say whether the Min sandhi/Yi-san portion of the correlation has historical significance or is merely superficial and coincidental. ()L Page (P:50f US Page Sixty-four - City Council Minutes - December 13,2005. One will notice a close correlation between a) the Min sandhi patterns described here, b) the Yi-san Principle (viz., yi-san-wu bu-lun) of traditional Chinese prosody, and c) the agogic rhythm (♪♪.etc.) used in the recitation of Chinese poetry, generally, today.
I am currently doing all that I can to locate him/her now. (August is when the Tributes for the animator popped up) Context: CiCi SixtyFour is this early 2010's FNaF animator that suddenly disappeared without a trace in 2015. Here, instead, I present patterns of tone sandhi in Southern Min verse recitation. Use Vidooly’s YouTube Stats & Marketing Tool to track your CiCi SixtyFour YouTube Channel Stats and other YouTube Statistics. Date of disappearance is probably between June 2015 and August 2015. Please sign in after you have created an account.
The principles of tone sandhi in Southern Min vernacular and the rules for their application have already been well described by others. To use ibisPaint, you must have a Twitter, Facebook or Apple account.
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